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THE GREAT AMERICAN BUBBLE MACHINE
This writer has done work like this before, using a big canvas to rework an uncooperative chunk of history in the wake of a crisis. Zakaria is probably best known for his post 9/11 “Why Do They Hate Us?” article, a sort of masterpiece of milquetoast propaganda that laid the intellectual foundation for a wide array of important War on Terror popular misconceptions, not the least of which being the whole “They hate us for our freedom” idea — one of Zakaria’s central arguments was that poor struggling Arabs were driven to envious violence by the endless pop-culture reminders of American affluence and progress.
In one exchange in that piece Zakaria talks with an elderly Arab intellectual who scoffs at Zakaria’s suggestion that Arab cities should try to be more like globalization-friendly capitals like Singapore, Seoul and Hong Kong. The old Arab protests that those cities are just cheap imitations of Houston and Dallas, and what great and ancient civilization would want that?
I thought the old Arab’s comment was funny, but Zakaria imbued it with serious significance. “This disillusionment with the West,” he wrote, “is at the heart of the Arab problem.” And while witty Arab potshots at tacky southern strip-mall meccas like Houston were significant enough to put high up in Newsweek’s seminal piece about the root causes of 9/11, things like America’s habitual toppling of sovereign Arab governments and installation of ruthless dictators like the Shah of Iran were left out more or less entirely (Zakaria managed to write a whole section on the Iranian revolution without even mentioning that the Shah come to power thanks to a CIA-backed overthrow of democratically-elected Mohammed Mosaddeq, whose crime was ejecting Western oil companies from Iran).
Not that Osama bin Laden and his followers aren’t all homicidal lunatics who should be doused in barbecue sauce and tossed in a shark tank, but Zakaria’s piece did a monstrous disservice to Americans by glazing over the sources of Arab anger and portraying America’s enemies as jealous dupes who chose to swallow the religious extremism fed to them by those opportunistic mullahs who stepped into the power vacuum left by ineffectual socialist strongmen like Nasser. (The neat rhetorical trick of making the current political bogeyman, Islamic terrorism, a descendant of the last political bogeyman, socialism, should not go unnoticed by admirers of the propaganda art). As is the case with almost everything Zakaria writes, there was a grain of truth in such a portrait, but it had the convenient benefit of almost completely absolving America of wrongdoing in the ongoing Shakespearean death-struggle for oil that is recent Middle Eastern history. Appallingly, Zakaria even compared America’s bloodlusting pursuit of Middle Eastern resources (a history that includes numerous CIA-backed coups and more than one brutal war) to the frolicking of Tom and Daisy in The Great Gatsby — ie toppling governments and arming Saddam Hussein against Iran is like a bunch of ginned-up rich folk knocking over the china. “America has not been venal in the Arab world,” he wrote. “But it has been careless.”
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